Skip to main content

Transposition

Transposition

The purpose of this post is not to completely teach you how or why we transpose, but rather a few ideas on how to work on transposition. The short of it is, we transpose because of our tradition coming from the natural horn where you could just change a crook and be in the right key. The how gets a little more complicated, but with proper guidance and lots of patience is easily achievable. Further reading can be found at: http://hornmatters.com/?s=transposition
I highly suggest that you find a teacher who knows what they are doing when you start learning transposition. It is a tricky matter that if learned incorrectly to being with can hurt things down the road.
When you are first learning transpositions, give yourself some baby steps. First, identify the key you are transposing to and the interval over which you need to make the chance. Take Horn in D for example. This means you are transposing down a minor third. Check the key signature and see if there are any accidentals to be included and then figure out the key the piece is in. If you are looking at something that on paper looks like it is in C major and says Horn in D, you are playing in the key of A major. Play your A major scale and arpeggio. These are the notes you will be transposing to, minus any accidentals.
To apply this, find exercises and etudes that are written in C. Pick any transposition that you are working on and play the etude in that key. Kopprasch etudes are a great place to start with this and some of those etudes even suggest keys for transposition. When you feel more comfortable, move into keys that are not C major and work on transposing when you have something in the key signature. The Horn Matters guys made a handy chart that I like to use with my students: http://www.hornmatters.com/PDF/French-Horn-Transposition-Reference-Chart.pdf

Again, I suggest you work on this with someone who understands the horn and transposition. Having someone that can quickly check that you are doing it correctly and help you in tricky situations when you are getting started can be invaluable.

Comments

Popular posts from this blog

Creating Your Brand : A Guide to Freelancing

Creating Your Brand : A Guide to Building a Successful Freelance Career By Tracy Bass University of Missouri - Kansas City Dissertation Points Credit Spring 2019 Introduction So you wanna freelance but... where do you even begin? The freelance life can be extremely rewarding, but requires more work than most people realize and is rarely an instant success. You need an attack plan and a promise of commitment to yourself. The obvious issues of location and socioeconomic level will be contributing factors to the outcome, but if you push yourself and be patient, you will be surprised at what is possible. The Essentials First and foremost, buy a planner. There are countless studies that have proven you remember more when you write things down. Plus, making lists and marking items off is more satisfying than deleting a note on your phone when you take a look back at what you have accomplished. Find a planner with plenty of space for you to jot things down q...

Articulations

Articulations When you are playing each note, remember that there is a beginning, middle, and end. Each part of the note requires definition and equal attention. Articulations are often what causes us to make the most mistakes. There are different ways to approach articulations, but we are going to keep it simple with a “too” approach. Start by just slowly saying the word “too.” Feel the shape your mouth makes and where the tip of your tongue makes contact. It should be around the back of your top teeth, just where the roof of your mouth meets the teeth. This creates a well-rounded attack that works great on the horn. The higher in the range you are playing, your tongue will move further up from that position, and the lower you play, your tongue will move further down. This motion should happen naturally, but if you find yourself making unclear beginnings to notes, check in with where your tongue is making the initial attack. Make sure that after you make the attack, your t...

Selecting a Horn

Selecting  a Horn When it comes to choosing your equipment, I am a fan of the go-with-your-gut theory. If you pick something up and after a few minutes do not like it, it is probably not the best choice for you. In a world where there are just so many types of horns that exist and new builders entering the scene on a regular basis, it can be hard to know what you like and what will work for you. A good place to start is just to try everything you can get your hands on. See what your school owns, what your friends own, and get a sense of what you do and do not like. It can be useful to make a list to keep handy, but at the same time, two horns that should be exactly the same can play very different. Also check out local music stores in your area to see what they keep in stock regularly and if they would be willing to get a few things in for you to try. The best way to try the most variety is horn workshops/conferences/symposiums. The horn society website is the best place...